Illustration | Packaging
Tumblong Hills: Table of Plenty
(2025)
Through an iterative process, I experimented with an array of artistic mediums- watercolour, acrylic and crayon. We decided crayon as a medium worked well with its playful charm.
Guided by the unique personality of each wine, we crafted six distinct labels: Nero d’Avola, Rosé, Barbera, Fiano, Sangiovese and Prosecco.
Reports | Presentations
UTS: Impact Studios
(2023-present)
I also used the Impact Studios brand book to create some presentation decks for the team. These variations can be used in black as well. Easy to replace content and convienent.
Content | Photography | Videography
LOZZI
(2025)
Working with Lozzi on their social media and graphics, I used the brand’s tone of voice and personality as a guide, which not only shaped my approach to visual storytelling but also gave me the opportunity to connect more deeply with the brand while expanding my skill set.
Publication
Cut From
The Same Cloth
(2024)
Using lino prints, illustrations and diary scans, it weaves multivocal storytelling with diverse visuals to capture each generation's character—celebrating intergenerational connection, resilience and aspiration.
Visual Identity | Print | Motion
Welcome to Blacktown
(2024)
I collaborated with the UTS Data Arena to produce a video, posters and web content featuring 14 local voices and their inspirational stories.
Branding | Print & Digital
Windmill Metal Roofing(2023)
Drawing inspiration from the iconic Dutch windmill and its symbolic connection to roofing and shelter, the design incorporates bold, strong colours to reflect the company’s reliability and craftsmanship.
Branding | Web | Collateral
Australian Pasifika Educators Network
(2023)
APEN is a non-profit organisation with the goal of uplifting Pacific Islander communities in Australia through the power of education by fostering connections between Pasifika educators.
We developed a refreshed brand identity, a custom illustration style and website designs inspired by the art of Pacific weaving — a symbol of the deep connections APEN fosters within its community. It was incredibly rewarding to support such a meaningful mission, and we hope this new identity amplifies APEN’s impact and visibility.
Digital | UI/ UX
The Swatches of Elizabeth House
(2023)
I focus on the intricacies of patterns and fabrics in Elizabeth House, that are usually overlooked and give the visitors an opportunity to discover, learn and create their personal ‘swatch book’ at the end of their visit.
App Prototype
Corporate Design | Social Media | Promotion
Shorty’s Liquor
(2023)
This role allowed me to collaborate with the marketing and operations teams while adhering to brand guidelines. See below for examples of work created for Shorty’s Liquor and Shorty’s Gifting Hub.
Graphic Design Internship
Endeavour Group
(2023)
I utlised collage techniques, enhanced bright colors in Photoshop, and experimented with illustration and typography to create visually engaging designs.
Beyond this, I worked on branding, EDMs, banner design, catalogues, and user interface design for the Endeavour Group. This experience strengthened my ability to align creative work with brand guidelines and business objectives, preparing me to contribute effectively to a professional design team.
Publication
Grafo Magazine
(2022)
Through research on cityscapes and a focus on graffiti as a powerful medium of expression, I explore how the transient nature of urban environments shapes the essence, message, and impact of this fleeting art form.
Print & Digital | Social Media
LOZZI
(2022- present)
My work included crafting menus that not only showcased the culinary offerings but also reflected the warm, inviting essence of Lozzi’s brand.
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